coca cola

चलते चलते दिल जो हुआ तेरा शोला, एक चवन्नी खर्च के तू पीले कोका कोला !!
This couplet has been sent to me by a reader of my blog who has said that he remembers, when Coca Cola was introduced in Delhi and used to sell for four annas. He and his friends had coined this couplet when they used to walk down till their place of work which was quite a walking distance. He wrote to me in the context of my post "Back then......" which was published a year ago on my main blog www.delhilog.com - Celebrating Delhi !

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IMAGES AND TRIVIA

It took ten years to complete Mughal-e-Azam. No, wrong ! In fact it took almost fifty years to complete Mughal-e-Azam. It was K. Asif's wish to have made the film in colour (though he did make it partially in colour). Ultimately, the wish came granted when the film was digitally made into colour ! The most expensive film till date. (considering the cost of the film when it was made and the cost incurred to render it digitally

Yaahoooooo !!!! The cry became synonymous with Shammi Kapoor. So much so that When Yahoo opened its office in India) several years ago he was invited by Jerry Yang. As the launch festivities started building towards a climax, Kapoor was pleasantly surprised to hear the band playing his Yahoo song from the film Junglee made famous years before the internet existed, and so called for his famous cry of 'yahoo'. Later, Yang told him how inspired he was by the Yahoo song that he has named the company YAHOO (Yet Another Hierarchical Officious Oracle) !! Till now, many people have the notion that Shammi Kapoor owns YAHOO ! Mohd. Rafi who sang the song did not cry Yahoooo. It was done by one of the assistant directors, Prayag Raj, instead !!!

This Guru Dutt directed (he was in the lead role too) film, had Shyama singing "kabhi aar kabhi paar, laaga teere nazar" and "Ye lo main haari piya....." to the lilting music of O.P. Nayyar. Shakila who played the gangster's moll had a cabret number to her credit. Geeta Dutt invested a lot of soul in Shakila's cabret number, "Hoon abhi main jawan....." and animates the light numbers with abundant vivacity. It is a rare treat to hear her sing, "Ja ja ja ja, bewafa, kaisa pyaar kaisi preet re....." in two vesions (one happy and the other sad) with such audible difference !!



Most prolific in the 50's and the 60's. Also an eloquent interpreter of Rabindranath Tagore's songs (Rabindra Sangeet). A versatile composer, he scored films such as Nagin - it had seventeen (!!) songs (and each of them was a hit, Kohraa(Jhoom Jhoom Dhalti Raat.... and O beqarar dil, ho chuka hai mujhko.....) and Bees Saal Baad ("Kahin deep jale kahin dil...." and "Beqarar karke hamein yoon na jaaeye..."). One of his songs from the Hindi film Jaal "Yeh raat yeh chandni phir kahan..." opened and closed the syndicated television series 'Movie Mahal' series on Channel 4 in Britain even if the viewers did not understand the language ! Hemant Da - that's how he was known in the industry - was ably assisted by Kalyanji Anandji



AVM film company of South, famous for making family dramas, had the unforgettable songs "Chal ud ja re panchhi, ke ab yeh des hua beganaa" and Chali chali re patang meri chali re..." both sung by Mohd. Rafi., written by Rajinder Krishan and tunded by Chitra Gupta. Balraj Sahani, Nanda and Jagdeep, starred in the film.











Kamal Amrohi produced this film which was directed by Kishore Sahu (remember, Marco in Dev Anand's Guide). This Raj Kumar, Meena Kumari and Nadira starrer film had some foot tapping music by Shankar Jaikishan. Ajeeb Daastaan Hai Yeh., Kahan Shuru Kahan Khatam...... Sheeshaye Dil Itna Na Uchhalo.... Mera Dil Ab Tera O Saajna... Jaane Kahan Gayee ...

Based on the story by famous Hindi writer, Premchand, Godaan had Raj Kumar playing the character of Hori and Kamini Kaushal as Dhaniya, his wife. The film had music by Pt. Ravi Shankar, who has scored music for only two hindi feature films. The other one, Gulzar's Meera










One of the first films that started the perinneal trend of shooting films in Kashmir. Nanda the city bred damsel falls for the simple Kashmiri 'house boat wala' Shashi Kapoor, who sings for her "Ek tha gul aur ek thee bul bul.... and separately they sing, "Pardesion se na akhian milana..... They also sing a duet, "Na na karte pyaar thumhee se kar baithe......Kalyan ji Anand ji scored the music assisted by Laxmikant Pyarelal !!






First colour film from the RK Camp had the locales of Europe captured beautifully. The songs, "Bol Radha Bol Sangam Hoga ke Nahin.... "Main ka karun Ram, mujhe buddha mil gayaa.... are still as fresh as they were, almost half a century ago.













It comes as a surprise to many that the Mangeshkar Sisters are actually not three but four in number. Meena Mangeshkar, somehow, never came to lime light ???















Ranjan, the swashbuckling hero of the south did not make much of an impact on the hindi screen, though he acted with Naseem bano, Madhubala,Meena kumari and others.The first song that comes to my mind is one of my favorite 'Roop Tumhara aankhon se pee lu' from the film 'Sapera'.

Jadoo had Nalini Jaywant as his heroine.










They look like the Three Musketeers. But they are (from L to R) Van Shipley (the famous guitarist), Talat Mehmood (needs no introduction) and Enoch Daniels (the famous accordianist).









Set in the background of mid-19th century Benaras, the film dealt with the clash of two groups of 'Thugs'. Directed by H.S Rawail, the film had powerful performances by Dilip Kumar, Jayant, Balraj Sahani, Sanjeev Kumar, Vayjanti Mala, Sapru and Ulhas













The RK banner movie was shot and directed by Radhu Karmakar (Raj Kapoor's favourite cinematographer) on the locales of difficult terrains of Chambal. And with the help of his favourite music directors Shankar Jai Kishan, Jis Desh Mein.... turned out to be a classic. It is said that the movie was instrumental in the surrender of many dacoits of Chambal. Simpleton 'Raju' singing "Hothon pe sachhai rehti hai, jahan dil mein safai rehti hai...... ,and Padmini's O Basanti Pawan Paagal...... and Pran countering with, "Hai aag hamare seenay mein..... are still unparalleled. Not to forget the climax song, Aa ab laut chalein...


None of his colleges at the Remington Typewriters could have ever imagined that the sales man who sold typewriters in Calcutta would become a legendary star singer in the Hindi Film Industry. Discovered by R.C Boral of New Theaters, Saigal rose to such heights that even today, the name K.L. Saigal conjures up images of the great Indian singing film star of the 1930s and 1940s with the unmatched golden voice.








Shahrukh Khan may have claimed after Bazigar that he dared to do a negative character. Dev Anand did that with aplomb, long ago when Shahruk was not even born. This film written and directed by Guru Dutt had flamboyant Geeta Bali playing the lead opposite Dev Anand who mellowed her down by singing "Yeh raat yeh chaandni phir kahan.... tuned by S.D Burman










This Sridhar directed love triangle Rajendra Kumar as a doctor and Raj Kumar as the patient and Meena Kumari, torn between the two. "Yaad na jaaye, beete dinon ki... Yahaan koi nahin, tera mere siwa.... Hum tere pyaar mein saara aalam kho baithe.... were nicely tuned by Shankar Jaikishan. And of course the title song, Dil ek mandir hai...










Shammi Kapoor in his first directorial venture brought Irma La Douce to India. The 'bindass' prostitute Zeenat Amaan and the 'simpleton' police constable Sanjeev Kumar gave the perfect 'entertainment' to the public. The 1974 film is considered to be much, much, much, ahead of it's time. R.D. Burman provided some befitting tunes to the 'manoranjan' of the audience.









A favourite of B.R. Chopra and music director, Ravi. Mahendra Kapoor won his first film fare award for "Chalo ek baar phir se, ajnabee ban jaayen hum dono". Patriotic songs were his forte. The voice of 'Mr. Bharat', he rendered, "Mere Desh ki Dharti....." Hai Preet Jahan ki Reet Sadaa....." "Ektara Bole....." and made the Indians feel proud of being Indian ! He passed away recently on 28th September.








This, Pradeep Kumar as 'Salim' and Bina Rai as Anarkali' starrer film had some melodious songs by C. Ramchandra. Mubarak played the role of Akbar.

















The film was planned to be made in B&W. V. Shantaram had injured his eyesight during the fight sequence with a bullock in his earlier film, "Do Aankhen Barah Haath". When he regained his eye sight, he realised the importance of colours in life. He then made NAVRANG in colour. Shantaram has expressed the reason of making the film in colour in his brief but telling address at the beginning of the film itself. Shantaram lends credence to the rumours that he nearly lost his sight in an accident on the sets of his last venture, Do Aankhen Barah Haath. An eternal optimist, Shantaram reveals that during that temporary blindness, he saw some hitherto unseen colours of life.Critics trashed the kitschy and convoluted tale but the audience loved it. Dances by Sandhya and the music by Vasant Desai were superlative ! Indeed, NAVRANG is A RIOT OF COLOURS !!


"C" stood for "Chitalkar" in C. Ramachandra. As a music director his name used to appear on the covers as C. Ramchandra. As a singer it used to be Chitalkar. For a long time the public considered the names to be of two different people !
"Ina, Mina, Dika......" Shola Jo Bhadke....." Kitna Haseen Hai Mausam...." Aana Meri Jaan Meri Jaan Sunday ke Sunday...." That's C. Ramachandra. His biggest success was Anarkali. "Muhobbat Aisi Dhadkan Hai....", "Yeh Zindagi Usi ki Hai.....", "Jaag Dard-e Ishq Jaag....." became huges hits and were highly acclaimed as masterpieces. After the China war in 1962, C. Ramchandra composed a song written by Kavi Pradeep and sung by Lata Mangeshkar, which was to become history - "Aey Mere Watan Ke Logo......" After hearing this song, Nehru had tears in his eyes and he said to Lata, "tumne to hamein rula diya....."


This 1966 film, a remake of Tamil film, Kaadalikka Neramillai, was as straight as a 'jalebi' ! Sridhar who had made tear jerkers like Dil Ek Mandir, made audience laugh to tears this time ! Om Prakash, Kishore Kumar and Mehmood made audience fall off their seats. Laxmikant Pyare Lal scored some hummable songs. But it was Rajinder Krishan's witty dialogues that was the life of the film.








Raj Kapoor was once asked as to which of his films was closest to his heart ? He replied that for a Father all his children were equal but the Father gives extra care and affection to the child who is, unfortunately, handicapped.......














This, mother (sorry, it should be Father) of all the double role films, to come was the Hindi adaptation of the Telegu film “Ramudu Bheemudu” directed by Chanakya for producers B. Nagi Reddy. The original theme of these movies was derived from Alexandre Dumas' story “The Corsican Brothers”. The story charts the growth of two twin brothers who having separated at a very early age of their lives develop absolutely contrasting temperaments. The mix up between the brothers causes a many hilarious situations. Naushad rendered some beautiful musical score for the film.



When Meena Kumari married Kamal Amrohi at the peak of her career she wrote this about him

"Dil saa jab saathi paya
Bechaini bhi woh saath le aaya"

"Tum kya karoge sunkar mujhse meri kahani
Belutf zindagi ke kisse hain pheeke pheeke"

When he divorced her, this is what she wrote,

"Talaak to de rahe ho Nazare kahar ke saath
Jawani bhi mere lauta do Mehar ke saath"


She had fervently wanted to release an album of her poetry sung by herself which was ultimately achieved, with Khyaam providing the music to her 'Shairi'.

This one is an odd man (and women) out, in the whole lot. But Yash Chopra still made a vinyl record from the original soundtrack of the film in the times of CDs and DVDs !














When Sholay was released on 15th August 1975, it was written off as a flop by almost every critic and trade magazines. "A great and costly mistake" - Filmfare, Film Trade Magazine, India Today and many more had the same opinion about 'Sholay'. K.M. Amladi wrote in the India Today - 'dead ember', thematically, its a gravely flawed attempt'. Bikram Singh wrote in the Filmfare - 'The major trouble with the film is the unsuccessful transplantation it attempts in grafting a western on the Indian milieu". The Film Information said, "The classes and families will find no reason for a repeat show". Not only the most knowledgeable of the critics but the black marketeers too had written off the film. Inspite of all said, Sholay picked up business in it's fifth week and then went on to create history - the first film in the history of Indian Cinema to have celebrated silver jubilee in more than hundred cinemas across the country ! In spite of a thundering success of the film, the music records of the film did not sell to the expectations of the recording company, Polydor. The reason for that was that the strong dialogues of the film overpowered the music. On realising this, Polydor, released a double album of dialogues of the film that had just a line or two of the songs. The tactics paid off and there was a huge sale of records all over again ! Nevertheless, the songs, "Koi Haseena Jab Rooth Jaati Hai To......" Holi Ke Din....." Yeh Dosti......" and, of course, "Mehbooba Mehbooba......" too became popular, though much later. Believe this too - Shoaly bagged only one Filmfare award and that too for Best Editing (M.S Shinde). However, at the 50th year of Filmfare Awards, Sholay received the 'Best Film of 50 Years' award !!

'A flight of Pigeons'. The story by Ruskin Bond was transformed into Junoon by Shyam Benegal. Produced by Shashi Kapoor, the film was set against the backdrop of unrest of 1857 in the country. Shashi Kapoor, Shabana Azmi, Jennifer (Kendal) Kapoor, Naseeruddin Shah starred in the film. Nafisa Ali (then a national swimming champion) was introduced in this film. Vanraj Bhatia scored the music for the film. "Ishq Ne Todi, Sar Pe Qayamat..." sung by Mohd. Rafi and "Ghir Aayee Kaari Ghata Matwaari......" sung by Preeti Sagar became popular hits. "Khusro Rain Piya Ki Jaagi Pee Ke Sang...." a qawwali sung by Jamil Ahmad was also a highlight of the film. Made in 1978, Junoon went on to bag the National Awards for the Best Film, Best Cinematography (Govind Nihalani) and Best Audiography (Hitendra Ghosh) in 1979. A year later it captured eight Filmfare Awards for Best Film, Best Director, Best Cinematography, Best Sound Recording (audiography) Best Dialogues (Pandit Satyadev Dubey), Best Editing (Bhanudas Diwakar), Best Supporting Actor (Naseerudin Shah) and Best Supporting Actress (Jennifer Kendal Kapoor)

The second directorial venture (after Dhool Ka Phool) of Yash Chopra, Waqt pioneered the 'lost and found' trend in the Bollywood. An ensemble caste of actors (Balraj Sahni, Raj Kumar, Sunil Dutt, Shashi Kapur, Sadhna, Sharmila Tagore and Rehman) had the two most famous songs, composed by Ravi, "Aage Bhi Jaane Na Tu...." and "Aye Meri Zohra Zabeen......", apart from the two dialogues, which are still popular today after almost half a century. "Chinoy Seth, jinke apne ghar sheeshe ke hon, woh doosron par patthar nahin phenka karte !" and "Ye bachhon ke khelne ki cheez nahin, haath kat jaaye, to khoon nikal aata hai !" spoken by Raj Kumar in his indomitable style. All of this and the court room arguements between Sunil Dutt and Moti Lal, in the climax, makes the film all-time-popular.

Produced by Tarachand Barjatya for Rajshri Films (famous for making clean films), Dosti was directed by Satyen Bose. The debut film of Sanjay Khan, (though in a small role) revolved around two friends played by Sudhir Kumar and Sushil Kumar in the lead. The songs "Chhahoonga Main Tujhe, Saanjh Savere.....", Mera To Jo Bhi Kadam Hai, Woh Teri Raah Mein Hai.....", "Raahi Manwa Dukh Ki Chinta Kyon Satati Hai.....", "Jaane Waalo Zaraa Mud ke Dekho Mujhe....." and "Teri Dosti Mera Pyaar....." became superhits. The film won the Best Film award at the Filmfare Awards and so did the music directors Laxmikant and Pyarelal, Mohd. Rafi for singing, "Chahoonga Main Tujhe....." and Majrooh Sultanpuri for penning that song. Schools made bulk bookings at the theaters to take students for the show.
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KING

The reference is to Bahadur Shah Zafar (II) who was the King during that period (1857)

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ORIGINAL PASSAGE (IN HINDI)

NAVBHARAT TIMES, NEW DELHI, 19th July, 1965. Pg.4. Column 7 & 8
१८५७ का आन्दोलन
- अयोध्याप्रसाद गोयलीय -

एक रोज़ मैं दरीबे से जा रहा था । क्या देखता हूँ कि एक फौज तिलंगों की आ रही है । मैं भी देख कर गुलाब गंधी की दुकानके सामने खड़ा हो गया । आगे - आगे बैंड वाले थे । पीछे कोई ५०-६० सवार थे । उनके घोड़े क्या थे, धोबी के गधे मालूम होते थे। बीच में सवार थे मगर गठारिओं की कसरत से जिस्म का थोड़ा सो हिस्सा ही दिखाई देता था । यह गठारिआं क्याथीं ? दिल्ली की लूट , जिस भी आदमी को खाता पीता देखा, उसके कपड़े तक उतरवा लिए, जिस रुपये -पैसेवाले को देखा, उस के घर पर जा कर ढही दे दी और कहा, चल हमारे साथ किले, तू अंग्रजों से मिला हुआ है, जब तक कुछ रखवा न लिया, उसका पिंड न छोड़ा । अगर दिल्ली के चरों तरफ़ अंग्रेज़ी फौज का मुहासरा न होता तो शरीफ लोग कभी के दिल्ली से निकल गए होते।

गरज खुदाई फौजदारों का यह लश्कर गुल मचाता, दीन-दीन के नारे लगाता मेरे सामने से गुज़रा । इस जमगफी (भीड़) के बीचों बीच दो मिआं थे । यह कौन थे ? आली जनाब बहादुर खां साहब सिपहसलार । लिबास से बजाये सिपहसलार के दूल्हा मालूम होते थे । जड़ाऊ ज़ेवर में लदे थे । पहनते वक्त शायद यह भी मालूम करने की तकलीफ़ गवारा न की गयी थी कि कौन-सा मरदाना ज़ेवर है और कौन-सा जनाना । जैसे ख़ुद ज़ेवर से आरास्त थे, उसी तरह उनका घोड़ा भी ज़ेवर से लदा हुआ था । माश के आटे की तरह ऐठे जाते थे । मालूम होता था खुदाई अब इनके हाथ आ गयी है । गुलाबगंधी ने जो इन लुटेरों को आते देखा तो चुपके से दुकान बन्द कर ली और अन्दर दरवाजे से झांकता रहा ।

खुदा मालूम क्या इत्तेफ़ाक़ हुआ कि बहादुर खान का घोड़ा एन उसकी दूकान के सामने आकर रुका । बहादुर खां ने इधर-उधर गर्दन फेर के पूछा यह किसकी दूकान है । उनके एड़ी कांग ने अर्ज़ की - "गुलाबगंधी की "। फ़रमाया "इस बदमाश को यह ख़बर नहीं थी कि मां बदौलत इधर से गुज़र रहे हैं । बन्द करने के क्या मायने ? अभी खुलवाओ "।

ख़बर नहीं इस हुक्मे-कज़ा (मृत्यु संदेश) का बेचारे लालाजी पर क्या असर हुआ ? हमने तो यह देखा कि एक सिपाही ने तलवार का दस्ता किवाड़ पर मार कर कहा "दरवाज़ा खोलो ।" और जिस तरह "सम-सम" खुल जा अल्फाज़ से अली बाबा के किस्से में चोरों के खजाने का दरवाज़ा खुलता था । उसी तरह इस हुक्म से गुलाबगंधी की दूकान खुल गयी । दरवाज़े के बीचों बीच लाला जी हांफ़ते हांफते हाथ जोड़े खड़े थे । कुछ बोलना चाहते थे, मगर जबान यारी न देती थी । उस वक्त बहादुर खां कुछ खुश थे । किसी मोटी आसामी को मार कर आए होंगे । कहने लगे तुम्हारी ही दूकान से बादशाह के यहाँ इत्र जाता है ? लाला जी ने बड़ी ज़ोर से गर्दन को टूटी हुई गुडिया के तरह झटका दिया । हुक्म हुआ कि जो इत्र बेहतर से बेह्तर हो, वोह हाजिर करो ।

वे लडखडाते हुए अन्दर गए और दो कंटर इत्र से भरे हुए हाज़िर किए । मालूम नहीं बीस रुपये तोले का इत्र था या तीस रुपए तोले का । बहादुर खां ने दोनों कंटर लिए । काग निकालने की तकलीफ कौन गवारा करता । एक की गर्दन दूसरे सेटकरा दी दोनों गर्दनें टूट गयीं । इत्र सूंघा कुछ पसंद आया एक कंटर घोड़े की आयाल पर (गर्दन के बालों पर) उलट दिया और दूसरा दुम पर । कंटर फैंक कर हुक्म दिया गया - 'फार्वदी' । इस तरह बेचारे गुलाबगंधी का सैंकडों रुपयों का नुकसान करके यह हिंदुस्तानिओं को आजादी दिलाने वाले चल दिए ।

(नकूश के आप बीती नम्बर से)

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Dariba Kalan

Street of the Incomparable Pearl', Dariba Kalan. The street derives its name from a Persian phrase 'Dur e be baha', meaning 'pearl without compare' because since the period of Mughal Emperor Shah Jahan, the street used to be the popular market of precious stones, gems, gold and silver jewelery. Till today it is known as jewelers' street although most of shops in the street now deal in silver and costume jewelery. It is a very good market for purchasing new or old silver jewelry, because of the wide choice available.

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Tilangas

'Tilangas' is apparently a reference to Telingana, in mdern Andhra Pradesh, where the British originally recruited many of their sepoys during the Carnatic Wars of the eighteenth centry. In Delhi the name seems to have stuck as an appellation for British-trained troops, although the British had long since replaced Telingana with Avadh as their prinicpal recruitment field, so that in 1857 most sepoys would have come from modern Uttar Pradesh and parts of Bihar. 'Purbias', which in Delhi was used alernatively with Tilangas, simply means Easterners. Both words carry the same connotation of foreignness, implying 'these outsiders from the East'.

A large proportion of the Mutiny Papers are the petitions of ordinary Delhiwallahs who had suffered at the hands of the sepoys; invariably they were addressed to Bahadur Shah Zafar, who they hoped would protect them against the increasingly desperate Tilangas. Significantly, in their petitions to the courty, the words the ordinary people of Delhi used to describe what was happening in 1857 were not Ghadr (mutiny) and still less Jang-e Azadi (freedom struggle or war of independence) so much as fasaad (riots)and danga (disturbance or commotion)

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Soups, Kebabs, Curries and Dals available at 'NOT JUST PARANTHAS'!

CHUSKIS
(fresh fruits and crushed ice smothered into frozen nutritious sip'in'ice, served in glass. Popularly known as smoothies)

Falsa/Anar , Kala Khatta, Banana, Mango Pineapple, Watermelon, Watermelon Black Grapes, Black Grapes, Mix Fruit, Strawberry

SOUPS

Surkh Lal Dhaniye ka Shorba (A delicate extract of tomatoes with fresh coriander leaves flavoured with special herbs and saffron, spiced with black pepper

Chicken Galiana Shorba (A clear soup sereved with chicken cubes and boiled rice, garnished with coriander leaves)

Cream of Tomato Soup (A thick soup prepared from extract of tomatoes blended and finsihed with fresh cream

CHAATS

Tandoori Chaat (One of the chef's best khatta meetha recipe introduced for bar-b-que lovers)

Aloo Ki Chaat (Pan fried cubes of potatoes tossed with spiced onions, green chillies and coriander leaves topped with lime)

Chana Chatpata (Kabuli Chana steamed and tossed with onions, tomatoes, green chillies and crushed papadi, flavoured with sweet tamarind and spicy coriander sauce, garnished with a wedge of lemon)

Chicken Tikke Ki Chaat (Tangy salad of succulent chicken tikka, onions and tomatoes tossed with hot and spicy mint sauce)

KEBABS

Paneer Tikka-e-Nawabi (Cottage cheese, onions, tomatoes, capsicum grilled over a bed of charcoal)

Dahi Ke Kebab (Kebabs made with hung curd)

Aloo Firdausi (Potatoes stuffed with cheese, dry fruits and spices and grilled in clay oven)

Khumb Angaron Se (Mushrooms and mozzarella cheese with special seasoning stuffed in button mushrooms marinated and skewered in clay oven)

Faldari Seekh (An exotic combination of vegetables, fruits and nuts mixed and skewered over a bed of charcoal)

Veg Supreme Rolls (Minced cottage cheese, cheddar and vegetables rolled in soft bread and crisp fried)

Tandoori Sizzler (An assortment of roasted pineapple, mushrooms, baby corn and cottage cheese shaslik - served sizzling)

Ajwaini Mahi Tikka (Morsels of fish marinated in yoghurt ginger garlic paste and hint of ajwain, Indian thyme and roasted in clay oven

Gazab ka Tikka (Bite size chicken tikka prepared in a unique cheesy, creamy marinade roasted with white of egg)

Murgh Akbari (Boneless chicken breast stuffed with black cumin, onion, fresh mint, raisin and cheddar; coated with creamy yogurt and grilled in tandoor)

Stuffed Tangdi Kebab Peshawari (Chicken drumsticks stuffed with chicken mince and marinated in creamy sauce)

Kalim Kebab (Chicken, steeped in cashewnut, cheese and gram flour marination, a soft roast to relish)

Murgh Tikka (Succulent pieces of boneless chicken marinated in spicy red marinade, roasted in clay oven)

Murgh Gilafi (Mince of chicken flavoured with spices and special herbs skewered, coated with chopped onions, tomatoes and capsicum and grilled)

Mutton Gilafi Kebab (Mutton mince mixed with special herbs and spices, skewered in clay oven with a coating of onion, tomatoes and capsicum)

CURRIES

Paneer Khurchan (Pan fried cubes of cottage cheese, mashed in rich tomato butter sauce, interestingly spiced with kadai masala)
Murgh Khurchan (Shreds of chicken in rich tomato butter sauce)

Mahi Razilla (Succulent dices of fish cooked in rich gravy)

Makhmali Paneer (Strips of cottage cheese cooked in rich butter tomato gravy finished with cream)
Makhmali Murgh (Clay oven roasted tandoori chicken in a rich tomato butter sauce)

Lahori Kadai Paneer (Home made cottage cheese cooked with kadai masala of onions, tomatoes and capsicum)

Murgh Charminar (Chicken roasted in thick with gravy with creamy flavour infused with saffron and coriander)

Kofta Maala Maal (Baby spinach and cottage chees dumplings in delicately flavoured rich cashew nut gravy)

Bhuna Gosht Masaledar (Baby lamb cooked in an exotic mix of spices and sered with dry onion gravy)

Aaloo Meat (Mutton with shole potatoes)
Raara Meat (Mutton cooked with mutton mince)

DALS

Dal Makhmali (Traditional makhani dal to beat dal Bukhara)

Dal Gharwali (A subtle blend of yellow lentils tempered with cumin seeds and fresh spinach leaves)

Dal Sukhi Chatpati (Dry yellow lentil tossed with spicy onionn, tomatoes, ginger and chillies)

Dal Meat (A Pakistani favourite - Dry yellow lentil cooked with tender chunks of lamb)

Dal Keema (A unique blend of mutton mince and boiled lentils)


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